At the age of twenty-one he was invited to join the staff of Harper’s Bazaar. Within the next few years he worked as a major contributor to four prestigious magazines: Esquire, McCall’s Newsweek, and Show. His photographs of internationally famous personalities have appeared in many of the major museums and magazines worldwide.
In 1962, Sokolsky photographed the entire editorial content of McCall’s magazine, a first in its time. He is best known of his infusion of surrealism in his fashion photography, with his iconic series of women encased in plastic bubbles, floating around various cityscapes.
In 1964, Sokolsky was invited by the School of Visual Arts in New York to teach a special class at his studio in New York. In 1969, Sokolsky embarked on a new career in television commercials as director/cameraman. Sokolsky has been honored with twenty-five Clio Awards, and is the recipient of every major television commercial award including the coveted “Directors Guild” nomination. Many of Sokolsky’s commercials are in the permanent collection of the Museum of Modern Art.
In 1972, Sokolsky versed in all phases of special effects and cinematography, presented a computerized zoom lens that he designed to the Academy of Arts and Sciences. The system was subsequently nominated for an Academy Award. 1975, Sokolsky was invited by the Japanese Graphic Society to lecture in Tokyo and Kyoto, and was subsequently named Honorary Professor of Photography.
In 1986, the Victoria & Albert Museum installed an exhibition of photographs called “Shots of Style,” a retrospective of the world’s major fashion photographers. The Victoria & Albert included Sokolsky’s photographs in the exhibit, and subsequently placed many of them in their permanent collection.
In 1991, the Victoria & Albert Museum mounted a show called “Appearances,” that is slated to travel around the world. The book “Appearances” is available in the United States.